History of JAG:

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CARMAN, J. 2006. ‘Introduction’. In Uplifting the Colonial Philistine. Johannesburg: Wits University Press.

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MARTIN, M. 1989. The Johannesburg Art Gallery: Historical Perspective and Contemporary Analysis. Johannesburg: Smithsonian Libraries African Art Index Project DSI

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CARMAN, J. 2015. ‘Lutyens in Jobert Park’. In T. Murinik (ed) Constructure: 100 years of the JAG building and its evolution of space and meaning. Johannesburg: David Krut Publishing, pp.16-33. Available Online - also see ‘Overview of JAG’s History’ pp. 44-47.

https://issuu.com/designinformation/docs/constructure_-_100_years_of_the_jag

 

NTOMBELA, N. 2015. ‘Curatorial as Education: A few notes on the role of education within the context of the museum’. In T. Murinik (ed) Constructure: 100 years of the JAG building and its evolution of space and meaning. Johannesburg: David Krut Publishing, pp. 130-143. 

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Decolonial Thinking in Curatorial Practice:

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GAZTAMBIDE-FERNANDEZ, R. 2014. Decolonial options and artistic/aestheSic entanglements: An interview with Walter Mignolo. Decolonization: Indigeneity, Education & Society. 3 (1), 196-212.

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BOAST, R. 2011. Neocolonial Collaboration: Museums as Contact Zone Revisited. Museum Anthropology, 34, 56-70. 

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MDLULI, S. 2017. ‘Chasing Colonial Ghosts: Decolonizing Art Institutions in “Post-Apartheid” South Africa’. On Curating (35), December: 78-81

GORDON, A. 2008. ‘Introduction to the New Edition’. In Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press, pp. xv-xx. 

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MABASO, N. 2017. ‘Decolonisation and the Scopic Regime’. On Curating (35), December: 72-77.

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MUNIZ-REED, I. 2017.’Thoughts on Curatorial Practices in the Decolonial Turn’. On Curating (35), December: 99-105. 

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Authorship and Collaboration:

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MOGOTSI, T. 2019. ‘On collaboration and curatorial responsibility’. In D. Diphofa, et al. Anciens Dieux, Nouvelles Énigmes. Johannesburg: The Wits University Press, pp.30 - 33.

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RICHTER, D. 2013. ‘Artists and Curators as Authors – Competitors, Collaborators, or Teamworkers?’. On Curating (19), June: 42-94. 

OGBECHIE, S. 2010. The Curator as Culture Broker. Art South Africa. 9 (1): 34-37. 

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Archives:

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ENWEZOR, O.  2017. ‘The Death of the African Archive and the Birth of the Museum: Considering Meschac Gaba’s Museum of Contemporary African Art’. In O.Grau, et.al Museum and Archive on the Move: Changing Cultural Institutions in the Digital Era.  Berlin: Walter de Gruyter GmbH & Co KG, pp.132 - 147.

 

SCHWARTZ, J. M. & COOK, T. 2002. ‘Archives, Records, and Power: The Making of Modern Memory’. Archival Science 2, 1-19.

 

MBEMBE, A. 2002. ‘The Power of the Archive and Its Limits’. In C. Hamilton, V. Harris, J. Taylor et al. (eds) Refiguring the Archive.Cape Town, South Africa: Dordrecht, Netherlands: David Philip; Kluwer Academic Publishers, pp. 19-26.

 

HOGAN, M. ‘The Archive as a Dumpster’. Pivot 4 (1), 7-38. 

 

BHEKIZIZWE, P. 2002. ‘The Archives and the Political Imaginary’. In C. Hamilton, V. Harris, J. Taylor et al. (eds) Refiguring the Archive.Cape Town, South Africa: Dordrecht, Netherlands: David Philip; Kluwer Academic Publishers, pp. 29-35.

 

KURTZ, M. 2001. 'Situating Practices: The Archive and the File Cabinet' in Historical Geography 29. pp. 26 - 37.

 

TAMBOUKOU, M. 2017. 'Archival Rhythms: Narrativity in the Archive' in The Archive Project: Archival Research in the Social Science.

 

TIMCKE, S. 2017. 'The materials of memory: Tracing archives in communication studies' in Interactions: Studies in Communication & Culture 8 (1). pp. 9 - 20. 

 

WIGLEY, M. 2005. 'Unleashing the Archive' in Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 2 (2). pp. 10 - 15.

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Position and Role of Curators:

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LIND, M. 2009. ‘The Curatorial’. Artforum 48 (2), October: 57-66. 

 

VIDOKLE, A. 2010. ‘Art without Artists?’. e-flux Journal (16), May: Online. URL: https://www.e-flux.com/journal/16/61285/art-without-artists/

 

BOJAN, M. R., VON BISMARCK, B. & GILLICK, L. et al. 2010. ‘Letters to the Editors: Eleven Responses to Anton Vidokle’s “Art Without Artists?”’. e-flux Journal (18), September: Online. URL: https://www.e-flux.com/journal/18/67472/letters-to-the-editors-eleven-responses-to-anton-vidokle-s-art-without-artists/

 

Education and Curation:

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O’NEILL, P. and WILSON, M.  2010.  ‘Introduction’ in P. O’Neill and M. Wilson (eds) Curating and the Educational Turn. London: Open Editions, pp. 11-22.

 

ROGOFF, I. 2008. ‘Turing’. e-flux Journal  (00), November: Online. URL: https://www.e-flux.com/journal/00/68470/turning/

 

TALLANT, S. 2010. ‘Experiments in Integrated Programming’. In P. O’Neill & M. Wilson (eds) Curating and the Educational Turn. London: Open Editions, pp.186 - 194.

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ZOLBERG, V.L. 1994. “An Elitist Experience for Everyone: Art Museums, the Public, and Cultural Literacy” in D.J. Sherman and I. Rogoff (eds.) Museum Culture: Histories, Discourses, Spectacles.  Minneapolis: The University of Minnesota Press, pp. 49-66.

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Museums, Curating, and the Digital Space:

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BANDELLI, A. and KONIJN, E.A. 2015. Museums as brokers of participation: how visitors view the emerging role of European science centres and museums in policy. Science Museum Group Journal. 3 (3), Spring. URL: http://journal.sciencemuseum.ac.uk/browse/issue-03/museums-as-brokers-of-participation/. Accessed 22 March 2020.

 

BERTACCHINI, E. and MORANDO, F. 2013. 'The Future of Museums in the Digital Age: New. Models for Access to and Use of Digital Collections'. International Journal of Arts Management. 15 (2), Winter: pp. 60-72.

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DEMETRIOU, P. A. 2014. 'An Exhibition of Hidden Stories: The Young Voices Soundscape: Examining Sound and Silence as a Collective Experience in Sound Art Installation'. HARTS & Minds: The Journal of Humanities and Arts. 1 (4), Spring: pp. 1-18.

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Affect:

FISHER, J. 2006. ‘Exhibitionary Affect’. n.paradoxa: international feminist art journal 18, 27-33.

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GOLAŃSKA, D., 2015. 'Affective spaces, sensuous engagements: in quest of a synaesthetic approach to ‘dark memorials’'. International Journal of Heritage Studies. 21 (8), pp. 773–790.

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HOARE, J., 2020. 'The practice and potential of heritage emotion research: an experimental mixed-methods approach to investigating affect and emotion in a historic house'. International Journal of Heritage Studies. pp. 1–20.

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'In the Archive':

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ARNOLD, M. 2011. Cutting anti-apartheid images: Bongiwe Dhlomo’s activist linocut prints. In: S.Hoskins (ed) IMPACT 6 Multi-disciplinary Printmaking Conference Proceedings. IMPACT Print Conference, Bristol (UK): Impact Press, pp. 131-136.

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